Wanderer above the sea of fog.

Wanderer above the Sea of Fog (1818). 94.8 × 74.8 cm, Kunsthalle Hamburg. This well-known and especially Romantic masterpiece was described by the historian John Lewis Gaddis as leaving a contradictory impression, “suggesting at once mastery over a landscape and the insignificance of the individual within it. We see no face, so it’s impossible to know whether the prospect facing the young man is exhilarating

Wanderer above the sea of fog

Caspar David Friedrich in his Studio

Painting by Georg Friedrich Kersting


The picture shows the painter leaning on the back of a chair, focused entirely upon the easel before him.

It is not possible for the viewer to see what the artist sees, because only the back of the canvas is visible. Friedrich, apparently lost in thought, holds in his right hand a brush, and in his left a mahlstickpalette, and several other brushes.

The studio is ascetically bare. Only two other palettes, a straightedge, and a t-square hang upon the wall

Frederich in his studio

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